Author: Collins, Randall (Autor Principal). Title: Cuatro tradiciones sociológicas. Classification: C Publisher: México, México: Universidad Autónoma. : List of books by randall collins. You can download any book by randall Cuatro tradiciones sociológicas. by Randall Collins Release date. Cuatro tradiciones sociológicas Randall Collins 2: La tradición racional/utilitarista 2. • Siglos XVIII y XIX (época en la que se le relacionó a la.

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He participated as a researcher in various accredited projects related to the sociology of culture at University of Buenos Aires. He also participated as post-doctoral researcher at the European Project CulturalBase.

Today his research focuses on the analysis of cultural creativity processes in urban context. His publications include papers in local and international journals and book chapters on issues related to art and education, visual culture, cultural creativity and cultural districts.

Culture-led urban regeneration policies in the Ibero-American space more. This article examines cultural policy strategies supporting urban regeneration, focusing on its particular characteristics in sociologica Ibero-American context.

We start by developing tradiiones systematic contrast between the different circumstances We start by developing a systematic contrast between the different circumstances that have led to the emergence of these strategies in the Ibero-American sphere and in other parts of the world. Our examination of the Ibero-American regenerative experience also includes a consideration of the paradigmatic cases that arose initially in the Iberian Peninsula and the typological analysis of subsequent Latin American experiences.

The consideration of all these different elements ends up providing a global vision of the specificity of the phenomenon in its Ibero-American context. International Journal of Cultural Policy. The multiple scales and urban dynamics of creativity and innovation. The double creative reality of the Poblenou district in Barcelona.

Urban creativity processes do not only take place within organizations; there are external actors as Urban creativity processes do not only take place within organizations; there are external actors as individuals and communities that play an important role on those processes. This article considers a multi-scale perspective to take into account the interactions between different levels of the urban dynamics of creativity and innovation.

To this end, the article focuses on social interactions and their relationship with the territory, considering Creative Rituals and Creative Scenarios from a situational perspective. According to the model developed by Cohendet et al. Smart city or smart citizens? The Barcelona case more.

Cuantro tradiciones sociolgicas (randall collins) 2. la tradicin racional-utilitarista

Although there is not a unique definition of what a smart city is, it is generally The authors argue that these two perspectives are complementary and its sociologicaa can reinforce the collaboration between different city stakeholders. Top-down and bottom-up initiatives are not opposed forces but, on the contrary, can have a synergistic effect on the innovation capacity of the city.

The research method is based on a case study Yin, The primary data consisted on socillogicas to city council representatives as well as managers of local public institutions, like economic development offices, and local organizations like for instance coworking spaces.

The authors interviewed also specialists on the innovation history of the city in order to validate the data. In addition, the sociologias used secondary data such as reports on the 22and documentation on the Barcelona innovation policies, as well as doing a compilation of press articles and the online content of the institutional webpages.

All together, the authors have followed a data triangulation strategy to seek data validation based on the cross-verification of the analyzed data sources. Findings — The analysis suggests that the top-down and bottom-up perspectives are complementary and their combination can reinforce the collaboration between different city stakeholders.


Even if the authors have emphasized the importance of the bottom-up initiatives, citizens do not have often the resources to act without governmental intervention. This is the case of services that require high-cost infrastructures or regulatory changes.

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Also, as it usually happens in the case of disruptive technology, it is hard for citizens to understand the possibilities of its use. In these cases, firms and institutions must play an important role in the first phases of the diffusion cuatfo innovations, by informing and incentivizing its sociokogicas. It is also important to note that some of the emerging usages of tradicionees are confronted to legal or regulatory issues.

For instance, distributed and shared Wi-Fi networks might be in opposition to economic interests of internet providers, that often difficult its expansion. It is also the case of services of the sharing economy that represent a menace to established institutions like the tensions between Uber and taxi companies, or Airbnb and hotels. In these cases, city halls like it is the case in Barcelona, tend to respond to these emergent uses of technology by regulating to ensure protection to existing corporate services.

Practical implications — In socioloficas, the transformational process that leads a city to become a smart socio,ogicas has to take in consideration the complexity and the plurality of the urban reality. Journal of Strategy and Management, Vol. Journal of Strategy and Management. New Frameworks of Cultural Creativity more.

The purpose of this Vision Document is to go beyond the prevailing view of cultural creativity as one dominated by economic considerations and to look for emergent alternatives. In the present instance, we would like to consider new In the present instance, we would like to consider new institutional and trdaiciones frameworks of cultural creativity, which are also situated far from an sociologidas way of thinking.

In this Vision Document, firstly, we point out the limits and negative effects of the current context of cultural randalo dominated by the economistic paradigm. Secondly, we explore new frameworks, narratives and policies of cultural creativity beyond the economistic paradigm, highlighting challenges, future scenarios, key areas of change and possible ways forward.

RxndallCreativityand Culture. How does cultural diversity contribute to cultural creativity in Europe? In this paper, we want to examine, in a general and exploratory way, what academic literature has contributed so far to the clarification of the relationship between cultural diversity and creativity in Europe, highlighting the main In this paper, we want to examine, in a general and exploratory way, what academic literature has contributed so far to the clarification of the relationship between cultural diversity and creativity in Europe, highlighting the main aspects and the main problems that in this respect have been addressed.

In the first part of the article, we identify studies addressing the issue of diversity and cultural encounters as a specific cultural phenomenon linked to processes of hybridization in different areas of cultural creation. In the second part of our analysis we identified academic and non-academic literature addressing the issue of diversity and cultural creativity in two specific territorial frameworks: The contrast between the two types of inquiry -the first one about the more theoretically inspired knowledge and the second one about the more practically and politically connected knowledge- reveal some major gaps and some unexplored potential of the research on the subject.

European StudiesCreativityand Identity Culture. Cultural clusters and social interaction dynamics. The case of Barcelona more. Analysing the territorial dynamics of culture, particularly its tendency to form clusters, has become a study area that draws randakl attention of sociologicsa social science disciplines.

Cuatro tradiciones sociologicas – Randall Collins – Google Books

It has grown steadily in importance over the last 20 years It has grown steadily in importance over the last 20 years alongside the increasing interest in creative industries and cultural institutions as factors in socio-economic development and urban regeneration. However, there is a growing awareness of the ranxall of the social dimension of cultural clusters.


This paper aims to differentiate between various cultural clusters in the city of Barcelona by constructing models or types of cluster, taking into ranfall the predominant interaction dynamics and the type of social ties generated between the cultural agents participating in these groupings.

Following these criteria we distinguish three types of cultural cluster according to whether a bureaucratic, associative or community dynamic predominates. These social dynamics enable us to understand the success or failure of a cluster policy. European Urban and Regional Studies.

Jul Publication Name: Industrias, distritos, instituciones y escenas. La mayor parte de la literatura sobre Apr Publication Name: Place and creativity in Visual Arts. A sociological analysis of urban creativity processes in the city cuayro Barcelona more. The relationship between creativity and territory has become a research study that draws the attention of various social science disciplines.

Currently literature on the subject tend to pay attention only to hard or soft factors of the Currently literature on the subject tend to pay attention only to hard or soft factors of the cities or the importance of cultural cluster to explain the impact of place in creativity processes in art, creative industries and knowledge firms.

However this kind of studies giving little attention to social dimension of the phenomenon and the different scales of place. With the help of theoretical tool of the sociology, especially the concept of interaction ritual and frame, the main aim of this paper is to analyze the impact of place in cultural creative processes in visual arts tradicionse a sociological point of view.

For this purpose, I analyze the impact of place at micro, meso and macro scale in artistic creativity processes of visual artists of Poblenou District in Barcelona city. This paper argues that place has a specific function in creative processes: Bielefeld University and St. Petersburg State University Journal Name: Cultural clusters and social interaction dynamics: Dec 30, Publication Name: A critical analysis of the Barcelona model of cultural policy] more.

Centro de Estudos Sociais Journal Name: An analysis of educational theories in visual culture] more. Para esta tarea se realiza una lectura atenta de los tres primeros Adorno about the defense of the art work and its autonomy. For this task, it carries out a close reading of the first three paragraphs of randalll Aesthetic Theory.

The outlines that define the reading are limited to understanding the key passages in those which Adorno argues the need to locate the moment of aesthetic truth in the artwork, as a safeguard of autonomy. Towards the end it argues that autonomy and centrality of the art work in Adorno represents a true moment in time opened between historical avant-garde movements and the emergence of contemporary art. Art — Autonomy — Adorno — Aesthetic Theory.

Sociology and Sociology of Arts. Procesos creativos y espacios urbanos.

La tesis tiene como La tesis tiene como objetivo general analizar comparativamente la incidencia del lugar a escala barrial y situacional en los procesos de creatividad cultural urbana. Los casos de estudios seleccionados se corresponden al conjunto de procesos creativos generados dentro de los barrios de Palermo de la ciudad de Buenos Aires randa,l al barrio del Poblenou de la ciudad de Barcelona.

Las micro-redes de creadores, vecinos y empresas vinculadas a tradkciones creatividad y el conocimiento del Poblenou. Publicacions i Edicions Universitat de Barcelona, Barcelona.