All this adds up to a price breakthrough in sampling technology – the new Akai SXL. SXL Operator’s Manual Page 1 INTRODUCTION FEATURES. Hi! Is there anybody who have the manuals for the AKAI S and S? I have searched all the net, but came up empty:(I have e-mailed. S Owners Manual download. SI Owners Manual download. SXL Owners Manual download. S Owners Manual.

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The maximum delay times for each of the two delay lines is half that of the MONO delay times we have seen so far.

Let’s now have a look at the filter’s parameters. They will now play back at exactly the pitch they were sampled at. If a number such as If you bear this in mind, you will find this function very useful and expressive. By applying this to panning, each note a,ai be in a different position in the stereo image. Its function is described above.

In this way, you may have sets of programs for each song Reducing this parameter will give greater extremes of velocity range although please note that you will not be using the full resolution of the sampler’s dynamic range. At first, the modulation system may seem a little difficult and maybe even confusing. You may want to totally re- program the sound or create a new program for the latest batch of samples you have made.

With 2nd filter bank installed, a further set of multi-mode filters and a third multi-stage envelope generator are added. The other parts show a “? In this way, you can, for s300, send individual drums in different amounts to the effects. We will come to these in a moment. In this way, very complex mixes can be set up.

If programs share the same program number, you will have a conflict for example, send a MIDI program change command 1 where two programs share the program number 1 as in the above example, and only the first of the programs – i.


Should you press this by mistake, you will see alai the boxed area in the lower right of the screen still retains the new name you entered so press NAME immediately followed by ENT and make your choice again. You can use these to get close to the type of envelope you are s300 and then maybe fine tune them afterwards if needs be.

Use this instead of pressure or modwheel. The sound changes from a soft ‘waaa’ effect to the characteristic ‘weeow’ effect with high resonance settings. This sets the overall pan position of the program.

Got it, continue to print. Naming Samples – Copying And Renaming Should you press this by mistake, you will see that the boxed area to left of the screen still retains the new name you entered so press NAME immediately followed by ENT and make your choice again.

This will turn off all four effects channels so that aiai can hear the program s in isolation. Basically, there are pros and cons to both methods – it’s up to you to decide which you want to use depending on your application.

Manuzl example, in a strings program where you have five string samples each at the G of every octave, manuzl transition between B2 and C3 may sound a little strange.

There is no specific si manual but there is ss3000 others and an s adendum. For example, whilst holding down a low string note you could select, say, a brass sound. With a positive value set here, playing a note hard akia introduce a level of modulation which may be augmented using the modwheel or pressure.

Certain new functions are introduced in the SXL In software, the new MULTI mode of operation simplifies multi-timbral sequencing and layering whilst hardware options include a multi-effects processor that offers no less than four channels that include two multi-effects channels with distortion, EQ, ring modulation, modulation effects such as chorus, flanging, pitch shifting, auto panning and rotary speaker effects plus delay and reverb.


In a program, you allocate a sample to a KEYGROUP in fact, you can allocate 4 samples to one keygroup for layering, velocity switching and velocity crossfading but more on that later! Please ensure that you have saved them to disk before deleting in case you want to come back to them at a later date. A multi-effects channel may also be routed to its ‘neighbouring’ reverb channel for dual reverb multi-effects.

Akai S – workhorse sampler

This can be very useful in obtaining better akaai for piano sounds. The reason for this is that the depth: It rises slowly and falls abruptly. These three modulation input sources may be combined and mixed together.

MS3S then this signifie s that pressing this key will take you to another page. I will be displayed.

Akai S3000XL User Manual

To print the manual completely, please, akal it. Even with 32 Megabytes of RAM installed, there will be occasions where you need to squeeze that little bit more out of the samplers internal memory.

For example, a setting of 6k3Hz represents a setting of 6. This sets the range for bending pitch up with the pitchbend wheel or lever.

Akai S3000

With the optional multi-effects processor fitted, each part may be routed to one of the four effects channels and you have a total of four effects nanual can be applied to the parts in the multi.

Also, try to avoid X-ray machines. This is a quick way of achieving this kind of sound. From this page press the key to take you to the filter page: